Search Results for: "noncon"

?10 Changes From Demon Arms To The PATB Serial

Hey peeps,

I’m hanging out at the hospital. My brother ended up with appendicitis and we’re waiting to see if the antibiotics will be enough, or if he’ll need surgery. So, to avoid having to think of all those worrisome things, I thought I share with you all some of the reasons I went in the direction I did with The Paranormal Academy For Troubled Boys Serial.

Oh, if you missed the preorder for the second episode of PATB Serial, you can snag it here!

Before I get into the changes made in the serial, I picked up a book today that was, like, everything I’ve been missing in my reading lately. In the first chapter alone there was forced-to-fuck, straight to gay, noncon, and unseen alien/demonic entities controlling the action. First chapter. And yeah, there’s plot too. <3 So if you’re interested in a crazy, wild ride of a read—one that’s only $0.99—you should check out the Beast In The Nothing Room.

A lot of amazing books released this week. I’m putting them all here, cuz I’m being wordy today and I don’t want anyone to miss any of the deals.

MM Reads

MF and LGBTQ Reads

10 Things I deliberately changed in PATB (and didn’t)

So, I feel like I should start this off by explaining, a lot of these changes came about because of branding. When I started writing, I wasn’t thinking too much of long term. I was ill, life was happening, and writing was just about whatever felt fun in the moment. But that started to change once I saw my health improving, and I could look at my writing as a business, not just an escape. I had to make some big decisions of how I wanted to brand the Sadie Sins books so that whenever someone picked up one of my books, they would have a fair idea of what to expect about the contents.

If you’ve read episode #1 of the PATB Serial (which hit bestseller in LGBT fantasy last week!!! <3 ) and happened to have read Demon Arms before, you might already have an idea of what direction I’m going for with my branding. But if you haven’t, I’m happy to explain it a bit.

1. More Than Insta Love!

When I was writing the first sequel to Demon Arms, I got to do something I’d never done before. I got to write characters falling in love instead of crashing straight there. I wanted to do that in the Demon Arms story arc too, where it felt like there were reasons Wylie and Dorian end up together, emotional connections and stuff beyond plain old chemistry and a demanding inner dragon. I wanted a space they could grow together, not just magic into love. I write a lot of lust stories—and I love them, don’t get me wrong! XD But I wanted to write a real love story (well, ass real as magic and shifters can get, anyways.)

2. Turning Up The Heat

This was actually one of the choices I struggled with conceptually for a while with this series, partially with how tame I had written Demon Arms. Demon Arms had been confused for YA by a lot of readers, YA with some sex—it just didn’t make much sense, especially when these readers would then see what else I wrote and find a bunch of books that pushed limits they didn’t want pushed. This choice was where the branding direction came in, and I’m sure it is both controversial and loved depending on each reader’s preference.

Here’s the deal, I didn’t want to have to use a new pen name for this series, I didn’t want to build something from scratch, and more importantly, I didn’t want to find myself stuck writing a series I didn’t enjoy writing. So I went in and turned the heat up. For the peeps leaving reviews such as ‘rape and more rape’ yes, that was absolutely by design. Now you know; welcome to a Sadie Sins’s book. For anyone who picks up episode #1 of PATB Serial and enjoys it, they can be happy to discover that my other books contain adult subjects, much of it dark and sexual explicit, and they will not be freaked out by that. For those who can’t handle this first episode, I don’t have to worry about them hating on my other books.

So you’re now all informed. There will be no ‘sweet’ Demon Arms sequels free of kinky sex and aggressive personalities. I’m planning threesomes, sexual slavery, dubcon, scenes of my delicious killer Theo doing what he does best, dark moments, caretakers crossing boundaries with patients, and just all around fun. There’s no point having a power like allure and not using it like a weapon or weakness. This is a world of dark, manipulative magics gained through hunting down and killing shifters; it’s not supposed to be a civilized reflection of reality.

I want a mature audience. I’m not talking like in age (although, to be real, I’ve met more than a few awesome-sauce 80 year old fans.) I’m talking a more mature mentality when it comes to erotic sex, in not thinking fiction is real, in allowing a book to be a book and not demanding it be anything else. I want to have some fucking fun, and I don’t need peeps crying rape about words on a screen. (Go ahead, try to rape words. See how they respond when you shove a dick into text. If pain is felt, it’s not from the damn words.)

This is a tame series, but it’s still a Sadie Sins book. I’m tired of being told erotic sex can’t ever meet amazing plot and strong characterization. I’m tired of people trying to insist that sex ruins the validity and value of a story, and that stories with sex have to be hidden away. I do not subscribe to that kind of discriminatory thinking about my fiction, and I want to draw in readers who don’t either.

3. Show, Not Tell

I started this when I wrote Hellcat, this hint of craft that’s been growing after I spent a few years writing. I has started looking at scripts, started studying movies and tv series and musing on how I could improve the things my writing was lacking. I needed to create a more concrete world. My characters were all in their heads, narrating the events instead of IN the events. I wanted to show the world, but more importantly, show how the characters impacted their environment. What did a gesture do to the scene—a burst of magic, a flare of anger, anxiety? If it were a movie, how would it look, and how would the physical world change in response to the character’s action? I felt the best way to get the characters out of their heads was to put them in the scene.

Now, when Wylie’s hands are shaking because he’s nervous, he tears through a shelf and a bundle of cash so we can SEE he’s nervous. We don’t narrate that men are hollering at Theodore for base, sexual favors but have them shout thinks like “suck my dick, sexy!” In my first draft of Hellcat, I had tried to explain that Sean was a shitty friend to TJ, only to realize it would be way easier to show it by having him jerk off while talking to him on the phone. It that doesn’t say total shit friend, what does, right?

There are some consequences to showing instead of telling. My very first draft of Demon Arms was in first person, and it had a strong narrative voice as a result that shined through even when I changed it to third person for the final draft of the book. Showing a scene instead of letting Wylie tell it stripped a lot of the personality away from his inner voice. I tried to preserve it a bit, ensure that his thoughts or words were heard, but it absolutely changed things. Wylie’s not just telling a story now but is in one, reacting to what’s happening, and at the same time, the environment reacting to him.

I still struggle with it. It’s a new skill I’m learning, not quite a natural habit, but it makes me see my writing in a brand new way, I love that. I love the challenge. I can’t imagine ever settling for the same old thing as a creative. Without the promise of something new to learn, it just gets boring after a while.

4. Beast Voices

This was a last minute decision, but it made this story in a lot of ways. I was doing the final draft and I kept forgetting the motivation of a very important character Wylie was dealing with: his dragon. There’s this voice inside of him that’s been quiet for so long, so quiet that he confused it with his own for the last 10 years. Yet here he is, mid heist, letting his demon arms out for the longest time ever, and he’s starting to realize he’s not that alone in his head. That the shit he thought was annoying about his arms is actually quite deliberate because the beast inside him is a different being who wants different things—for starters, blood.

Wylie was not an ‘out-of-control’ paranormal like the other patients in Demon Arms, he was just a wannabe thug with a bad past that he used to excuse his shitty behavior. But as our intro into the series, I wanted to show what out of control really meant—how a shifter could lose control because they’re battling with a completely different personality inside them. I think Theodore becomes a beautiful example for this. We don’t really know why he’s working for the Academy in this intro, why he is so interested in ensuring the patients are safe, but we know in this first book that he is damn well familiar with what it’s like to be out of control when it comes to his dragon. For the most part, they seem in sync, doing what needs to be done, the goals the same… until the dragon asserts a demand of the moment, and you can see the cascade of compromises Theodore must make to get along with the beast.

Would these compromises be required when things are much calmer, when stress isn’t crashing down around Theodore? Probably not. We get to see the beasts as a stress response, where the more difficult something presses on Theodore psychologically, the more his beast rebels and wants to do things his way. It’s why Wylie’s dragon showed up in that gang initiation—stress. Stress kills, even. XD We don’t see Theodore go out of control, but we do see what happens when his beast is in control, tearing through skinners and full of a rage that comes from being hunted for a lifetime and seeing so many die.

I found that in Demon Arms, the conflict was rather nonexistent or easily diffused when it came to the patients. It wasn’t realistic, and I realized I needed those beast voices—those impulsive, animalistic reactions—to keep tensions up in the more peaceful parts of the story. Otherwise, it’s boring.

5. A Grown Up Perspective

I really wanted some adults to get a pov this time around. Theodore and Michael get love story arcs later in the series that I wanted to easily transition into by giving them stronger parts now. I wanted to head hop, I’ll be real. XD I like head hopping, and apparently I did it well this time cuz no complaints were made (that I saw.) I want readers to meet the characters and care, and I could only do that if they got to really see and feel what it was like to be in their shoes.

But also, Theo and Michael are the first wave of Academy goers—the ones still alive—and they’ve seen up close the world and danger that they’re protecting their paranormal patients from. They’re a bridge in a lot of ways, providing a more worldly view. They don’t get to hide from the world but are forced to navigate it as a form of protection. They understand when direct action is needed and how sometimes good and bad are completely blurred when fighting to live. That those lines are naturally blurred when it comes to killing, and trying to pretend they aren’t is idealistic nonsense that neither of them subscribe to.

Killing to survive is not a heroic act. Murder at all is not some white shining knight BS. Death should not be prettied up or sanitized—to kill a person, there is blood, pain, a line crossed every time. This is not a simple ‘bad guys are evil and therefore they deserve to die’ type of series. That’s 2-Dimensional and unrealistic. Everyone who dies is a character, and I want my characters to be fleshed out, felt, possibly even mourned.

I am not here to write a manual of how to be a good person—the teens in this book; that goal might be important to a lot of them. It’s usually a theme for younger people as they strive to find a place in the world. But Michael and Theodore have experienced a level of life—of war and slaughter and systematic bigotry—that makes them not care about morality the same way. They care about survival; they care about a life well lived; they care about doing what needs to be done with ruthless precision, sometimes preemptively, so that they can wake up and face themselves in the mirror each day because their patients weren’t slaughtered. For every confused question from the teens of if it’s right to do bad to survive, our caretaker adults already have an answer and it’s ‘it doesn’t matter. Just survive.’

6. Not Always Agreeing With The Characters

This was a risk, but at the same time I find the stories I love the most are of complex characters we don’t necessarily like all the time. I don’t think good characters are necessarily supposed to be people that would be your best friend. I think it’s a bit like the funny prankster in a story; that guy is usually a sarcastic, total asshole. People ignore it because they laugh, but the reality is you don’t want to live with Homer Simpson, or Peter Griffin, or with those douche-bags from the big bang nerd show. People in sitcoms are fucking terrible, and I don’t think their behavior should really be a reflection of how people should treat each other. But that doesn’t mean they’re not entertaining.

So, this is not a sitcom. These are people trying to do the right thing, but in situations where right is a compromise to the dark stuff happening around them. It’s the compromise of ‘a little bit better than worst.’ First time around, everyone was best friends in the Academy, except for Leo. Leo is won over pretty easily, and you see this a lot in stories, especially romance troops. It’s like this equalizing of conflict and personalities to get along, just because the characters are all in the same scenes. They lose their independence, they lose their motivation, and they become tools for the author who is failing to notice that these characters are no longer there own personalities.

In that regard, I’m trying to be better this time around (but it is tough.) I’m not saying on making them enemies for the sake of conflict – although there is absolutely nothing wrong with that. It’s more, trying to allow the characters to be true to themselves while not being caught up by my own personal need to make them agreeable to get the plot going. Sometimes characters kick and scream, fighting against the plot, and those are usually the best stories. These big personalities, these alphas, sorcerers, just inner beasts combined with hormonal teens and 20 somethings should not result in everyone getting along. That shouldn’t be automatic; that should be what a lot of the work in the character development is for, teaching them to get along.

7. Villains

I realized we needed villains. Wylie’s gangsters weren’t going to be enough. How could I show that this was a world full of shifter hunters, that shifters were actually in danger, and let it be felt, not just heard in passing? Well, now the police station isn’t full of indifferent professionals who were just trying their best, but some are clearly bigoted against paranormals like Wylie, hating him just because they know at some point he can turn into something they can’t. We can see the bigotry is deep, where even the paramedics, a company created to help people, would put the well-being of others and their own profit aside to ensure their unreasonable hatred makes their decisions.

This is why villains, shifter hunters and skinners, were needed from the very beginning. We need to see what it means to hunt a shifter, what that power looks like that they’re trying to obtain, the type of money that went into it—that armored bus wasn’t cheap—and we got to see that in things like the chameleon coat, and some of the abilities the skinners use against Theodore as they battle. We get to see the hatred, the question of what is really human in the sorcerer who takes over George Snyder’s appearance. Here’s a sorcerer passing as everyone else around him, but his hatred runs far deeper than any strangeness that would be in a shifter hiding in human flesh.

These themes were already there in the first book, but they were just themes, they weren’t really realized in the environment. I think this time around you get to feel the weight of these concepts, see how the world is shaped by them. I’m actually rather excited about it, to be honest. Characters grow the best when in conflict, and stories get more interesting as a result.

8. Increased Word Count and Detail

Okay, this was not particularly planned. Actually, I fought this a lot until I realized just WHY my writing style had changed so drastically. When I realized what was happening, I gave into it. I don’t subscribe to a ‘right’ kind of writing. I think we all have different styles and that’s perfectly fine. But I do know as a content creator, some level of consistency in style is helpful, if not expected, and that was my concern in all this.

Here’s the reality: my brain changed. I had no say in the matter. It started happening once I got my allergies under control. I think the first signs of it were when I was writing Hellcat in the beginning of 2018. That book—believe it or not—was supposed to be a short story. Instead it became a novel over 100,000 words long. I noticed something was happening in my head, how I looked at words, how I started to *see* a scene and not just float around in the dark. Shortly after publishing Hellcat, I was hit with mold that took over my bedroom and living room, and the neurotoxins had me suffering with multiple chemical sensitivity for months. During this really shitty time, my brain got messed up. It’s hard to be an observer to your mind when your brain is the one struggling, but my functionality in my life was impaired. Eventually, after taking a ton of supplements to regrow neurons, support and protect my brain, supplement my flat lined dopamine, remove the neurotoxins, heal the damage, lower the inflammation and stop the immune response, I returned to ‘normal.’ Except normal had changed.

You can see the change when during episode 11 of Demon Bonded in July, 2018. What averaged as 15,000 word episodes became 35,000 just for a handful of scenes, and I was completely unable to stop it. My brain had decided on a new level of ‘done,’ and it wasn’t where the old line used to be.

Have you ever looked at the way someone cleans a kitchen counter top—or a room, or maybe it’s their car, etc—and it’s different from the way you clean? We all have different levels of done. Some people need to wash that counter down, make sure every crumb and speck it swept away, clearing off the surface completely just to neatly arrange things back once it’s all clean: that’s their done. Someone else, they pick up the obviously dirty dishes piled there, toss them in the sink for washing later, and flick a few crumbs away: that’s their done. Another person might glance at the mess on the counter top and decide to go watch tv: that’s their done. We’re all different, yet we still have a line that’s called done. My done line moved, and it feels in a drastic way, much more toward the cleaning every fucking aspect of the counter to then neatly arrange the stuff back on the top. And no, this style is not always relatable to people who wait a week or month to get to cleaning their counter top.

When I started this rewrite, I noticed that a scene suddenly took 3 times the amount of words to write on average. It required more words to describe a scene, to linger and show an action instead of have the character think something unattached to the physical world of the scene. The style was more immersive, more in-depth, more action oriented. And to be real, when I saw this drastic change, I worried. A lot. I had attracted a fan base with my previous style. 100%. And I know the writing game—popular fiction is rarely about wordage or sophisticated vocabulary. And erotica? Yeah, no. Just no. This could absolutely destroy me as a writer if my fanbase hated it. But… my brain couldn’t write any other way.

I had no choice in this. Seriously, it’s not like I’m looking to pad word count, or scam people by making a book so long it needs to be broken into pieces, or anything like that. It broke me for a while— I could see the severe problems with such a big writing style change after years of having put out a different style. It could be career breaking, or at least fan breaking—I don’t even like to read long books, but here I am, everything I write becoming long as fuck! My brain changed and there was nothing I could do about it.

So… I chose to embrace it instead of trying to slice up this new style. I had spent far too long battling with myself, battling my insecurities, and making compromises where I was never allowed to just exist as I am. I accepted there was no going back and forged forward instead. The new style came naturally, meaning I would write faster this way, in flow, as long as I didn’t battle myself. If I set the style in the first book, those who liked it would know the entire series had the same style instead of getting a bad surprise next book. And it is a style thing—style doesn’t mean anything beyond a preference of getting words on a page. I can’t decide what readers like; I can only write to the best of my ability and put my work out there.

I am absolutely certain that I have alienated previous readers with this style, and there is very little I can do about it but keep writing. I’m sorry if you were used to how I wrote before; I really am. I can just hope my brain has settled and sticks with one style—whatever it might be—so fans won’t have to go through such a drastic change again.

9. Serial Instead of Novels

This story was too complex in plot and far too much planned in the future to be able to squish it all into a novel format. Demon Arms was planned as a love story a book, and it just wasn’t going to work. I started Fox and Vincent’s story arc in the sequel and they just couldn’t fit some romance mold. So instead of cutting the story down to fit a norm, I decided to go wild and plan this as a long serial. Each episode plans to be around 80,000 words, give or take.

10. Demon Arms Was Unscathed

I think the greatest reason I was able to break out of the old style was by not touching Demon Arms. This wasn’t a rewrite that was ‘fixing’ the original. I didn’t want to replace it, didn’t want to take it away from the fans. This was probably the final deciding factor in why I pushed to create it as a serial instead of novels; I needed to change the format completely to push away from it getting caught up in the old book.

I was a younger author when I wrote Demon Arms, still swayed by popular demands, still trying to figure out what my style was, what my brand was. I had to think hard about if I wanted to be isolated on Amazon and the romance genre for being dark—dark romance was so damn small, and it was hard to know if it would be allowed to grow when everyone was screaming about requiring HEAs for a book to be a ‘real’ romance, etc. I didn’t want to erase the first book even though I had grown up. When I set out to write the PATB Serial, I knew who I was, and I knew who Sadie Sins was, and I didn’t need to erase that journey.

Sadie Sins does not write young adult. Her endings are happy but there are always compromises, always dark paths to get there, and morality is not the main key. Cleverness, perseverance, character connections; that’s how happy endings are reached. Love in the darkest of moments fuel these characters to never give up, to be their best versions, even if they’re still imperfect and held back by their unique limits. It’s easy to love a diamond for its shine, but far more valuable to love it for its flaws.

 

Teddys Naughty Adventures 3

Teddy’s Naughty Adventures #3

Teddy Gets A Package
Exclusive Library
Hidden in the suburbs, a prostitution ring of boys gains a new star.

Teddy didn’t expect to be trapped in the back of a truck with a horny postman today of all days. Lief’s birthday party is moments away and Teddy just knows he’s going to be late. Mr. Sullivan likes that he’s new, really likes his mouth, and has no remorse ruining Teddy’s brand new outfit. Worse, he leaves Teddy aching with no relief to be had. Teddy can only hope to get home and cleaned up before Lief’s party is over.

Fancy new clothes, parties, and a room of his own are just some of the perks of moving in with his Granny. Lief, the boy next door, ignites a blossoming love Teddy has never felt before. Life is perfect, but Teddy is learning nothing is what it seems in his new home.

Each episode in this mm shota/ageplay serial is over 10,000 words long and features encounters between older men and petite, youthful bottoms. Playful and sexy with dark undertones, don’t miss the latest erotic installment of Teddy’s Naughty Adventures!

Disclaimer: All sexually active characters are 18+. Contains explicit m/m sexual content, graphic language, dubcon/noncon between older men and petite, youthful bottoms. Each episode is at least 10,000 words and should be read in order to be fully enjoyed. Not intended for anyone under 18.

13,000+ wrds, Published Feb 23, 2018.
Heat level: XXX

Way too hot for Amazon!

READ AN EXCERPT FROM CHAPTER ONE

Teddy stared down at the bed and worried his lower lip between his teeth. He dumped all the clothes Lief brought him out of the large black plastic trash bag onto the bedspread in the hopes it would make things easier, but he was still clueless. He didn’t know what to wear. Lief was coming over for his birthday party any minute now, and Teddy still couldn’t pick an outfit.

He wasn’t used to such nice clothes. They all looked so beautiful, but Teddy knew he couldn’t wear them all at once. He reached for a pair of pants and ran his palm over the smooth, shiny material. It was so grown up and sophisticated. Teddy was used to rags worn so many times they were full of holes and sweat stains before they even got into his hands. Because he was so short and slender, his clothes always billowed like an unsightly potato sack. These clothes were tight enough to fit him and hug his skin like a glove. They were fancy. Sleek. They felt as good as they looked and Teddy couldn’t help but slide his bare thighs close and press against the pile of fabric.

With a grin, Teddy gave into the overwhelming urge and jumped onto the pile of clothes. The bed bounced beneath him, and he muffled a laugh as he burrowed into the nice smelling fabric. It was too hot and the morning sun was already heating up the stuffy room, but Teddy didn’t care. This was like a million Christmases all at once. Clothes, real clothes just for him. No, this was a billion Christmases because today was Lief’s birthday and he was going to come over and play. Granny Emma even let Teddy pick out a birthday gift for him.

Teddy turned his flushed face and gasped a breath in. A smile stretched his lips and his blue eyes dazzled beneath the dark ringlets stuck up in a halo around his head. He really hoped Lief would be his friend. Maybe more than friends. He wanted a real kiss from Lief, not just a peck on the cheek. Just thinking about Lief pressing his lips to his the same way Mr. Fowler had, tongue teasing into his mouth, had Teddy’s sweat-sheened body burning and boyish length stiffening. He groaned and wiggled his hips to try and get some relief from the sudden pressure of his swelling dick. Teddy’s hole throbbed, and he whimpered and buried his face into the clothes.

Oh, all it was doing was throbbing now, aching and demanding all his attention at the worst of times. Teddy didn’t know what to do about it. His morning cleaning with the thick enema spout only made it worse. He hoped that having all that soothing fluid wash into him would stop the ache, but it only made his swollen pucker extra sore until every beat of his heart made his hole twitch and ache.

“I don’t wanna be late,” Teddy mumbled as he rocked his hips to get friction on his dick. Oh, it ached so much. Teddy reached behind him, pushed fingers between his cheeks and spread himself open as he searched for his entrance. “Oh, that’s good,” he whispered. His pucker stretched for his slim fingers and he gently probed the sore flesh. It was really good, nearly a relief to the throbbing, and he sighed and rested his head on the bed while lazily playing with his hole.

Mr. Fowler might be really big. Too big. Teddy never had anything so big inside him. He wasn’t even sure if his hole was really, well, meant for that. Mr. Fowler didn’t seem to think he was a girl, not when he was teaching him all those grownup men things they shared. When he put that dildo in him, and after… when he put his big dick in him… Teddy moaned and tried to get his thin fingers deeper into his passage.

Ever since his first cleaning with Dr. Wilson, Teddy’s body just didn’t want to behave. It wasn’t just his sensitive skin and tingling nipples. His dick kept getting hard at all the wrong times and his hole—oh, it was turning into a burning, aching agony that only found any relief when he touched it. All yesterday while helping Granny Emma bake the cake and clean the big downstairs house, Teddy kept having to hide away and push fingers inside just to stop the ache.

Teddy wasn’t sure it was normal. He wanted to see if Mr. Fowler would come by soon, maybe tomorrow, and help him fix it because he just couldn’t do it on his own. His fingers were too short and he needed something to touch that spot inside of him so everything felt better. Just, he didn’t know how to get to Mr. Fowler. Dave came by appointment for the yard work and that was it.

Teddy panted softly into the clothes as he removed trembling fingers and waited for his dick to soften. He needed longer fingers and it just wasn’t fair. He was going to go crazy like this.

Teddy pushed up on his arms, and his curls hid his flushed face as he stared at the pile of clothes. He licked his lips and tried to push down the overwhelming heat moving through his body. He was like this all yesterday and it was miserable, painful. Huffing in frustration, Teddy grabbed the closest pair of shorts and quickly wiggled into them and carefully zipped them up. They were tight, and he had to take a few deep breaths to keep from getting hard again.

He wanted to see Lief. It was his birthday and he was going to see his new friend, and yeah, that was it. No thinking about kisses or anything like that. Nothing that got him hard. He just needed to think of the really cool gift he got Lief.

Oh, he hoped Lief liked it!

His enthusiasm and smile was back as Teddy sorted through the shirts and settled on a sleek, purple top with black short sleeves. It was silky smooth like water. He pulled it over his head and Teddy giggled when he stretched it down. It was like warm ice, all sleek and slippery. Teddy scooped up an armful of clothes and walked them over to the bureau and shoved them into the top drawer. He’d fold them after Lief’s party. Worried Lief might already be at the door, Teddy whirled and grabbed the rest of the clothes from the bed and quickly stuffed them into the second and third drawers.

Teddy paused and peered into the dusty mirror atop the bureau. He looked completely different, nearly someone worth looking at. Teddy ran his fingers into his messy hair and brought some order to his black mop of curls. They were Lief’s old clothes and Teddy really hoped he wouldn’t be disappointed to see him in them. Teddy never owned anything so fine. He never owned anything at all, really.

Teddy rubbed his palm down the front of his shorts where his erection was trying to swell, and he whimpered from the sensation. The tight clothes were making him too aware of his body, making him hot and dizzy. He kinda liked it though, and how it all clung to him. Teddy was hyper aware of the pinch around his thighs and the way the shorts dug into his crack and made his hole throb. The shirt was tight and it tugged at his nipples with every movement. He’d probably like everything about it if he could just cum already. Oh, but he really needed to cum…

“Teddy!”

Teddy’s blue eyes widened in the mirror at the sound of his grandmother’s voice echoing through the large house. “Lief’s here!” he cheered.

He smiled brightly as he booked it to his bedroom door and ran down the hall to the stairs. The downstairs door was void of visitors, and Teddy quickly turned to the living room further down the hallway. His eyes flashed around to make sure nothing looked too messy. He was proud of all the work he’d done on the downstairs rooms. It wasn’t as clean as he’d like; there were still stacks of magazines that needed to be sorted, and the undesirables tossed out with all the newspapers he dragged to the curb yesterday. Teddy had pushed them up against a wall and tried to make it look as inconspicuous as possible. Things were really dusty, but for the most part everything was much cleaner than how it started. You could even see the old tube television now without all the piles of newspapers.

Teddy found Granny Emma in the kitchen putting the finishing touches on the cake. “Granny, is Lief here?” His shoulders slumped when his grandmother shook her head.

Emma peered through her thick glasses at the top of the cake where she was making pretty flowers with a tube of frosting. She was wearing a flower-print dress today. It was the most color Teddy had seen her in since she broke her leg and he was sent to live with her. When Teddy stepped up close to see how the decorating was coming, she placed the tube of frosting down and fixed him with a stern look. “Teddy, the postman should be stopping by soon. I want you to go outside on the curb and wait for him.”

“Huh? But Lief’s party is starting soon!” Teddy exclaimed with a pout.

“Yes, and you’ll have plenty of time to play once you’re done. Mr. Sullivan is going to need the help of a strong young man.”

“Okay, Granny,” Teddy agreed with a frustrated sigh. He didn’t dare complain. The last thing he wanted was to upset Granny and end up missing the party completely, or have her decide she really didn’t need his help around the house. “Will you make sure Lief doesn’t leave until I get back?”

“Lief is planning on being here all day,” Granny reminded calmly as she reached for her pipe and puffed a cloud of vanilla scented tobacco with a content hum. Teddy had uncovered Emma’s deceased husband’s pipe when cleaning through all the trash in the living room, and the house was full of the nice scent since. It really was the most peaceful household Teddy had ever lived in. He had a full breakfast without needing to fight or be told he was a waste to feed. He woke up in a bed and room all just for him. And now he had clothes, and a grandmother who made birthday cakes, and even a friend all of his own.

No, he wasn’t about to complain about anything. Everything was perfect.

“I’ll go out right now!” Teddy cheered and headed for the kitchen door.

“Good boy. Remember to do everything you’re told.” Emma took another long drag on her spindly pipe and picked up the tube of frosting to finish the cake decorations.

 

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Teddys Naughty Adventures 2

Teddy’s Naughty Adventures #2

Teddy Meets The Gardener
Exclusive Library
It’s only the second day at Granny Emma’s and Teddy is already being put to work in unexpected ways. He meets the gardener for the first time. Mr. Fowler is handsome, charismatic, and ready to help Teddy in any way the beautiful boy needs, even if his methods end up making a big mess for the two of them.

Teddy finds out just who is living next door. Nervous but excited to make a new friend and get clothes of his own, he’s pretty sure living with Granny Emma is going to be the best ever.

Disclaimer: All sexually active characters are 18+. Contains explicit m/m sexual content, graphic language, dubcon/noncon between older men and petite, youthful bottoms. Each episode is at least 10,000 words and should be read in order to be fully enjoyed. Not intended for anyone under 18.

10,000+ wrds, Published May 1, 2016.
Heat level: XXX

Way too hot for Amazon!

READ AN EXCERPT FROM CHAPTER ONE

Teddy awoke the next morning to Granny Emma banging pots downstairs and shouting his name. Sitting up ramrod straight as he remembered where he was and how important it was to not mess things up, he gave a weak gasp, his hole throbbing angrily. Oh, he was hard, his body aching for attention.

Gnawing on his lower lip, he forced himself to get up, looking around the cluttered room for something to put on. Granny Emma hadn’t thought to give him any pajamas and he owned no underwear so he had been forced to sleep in the dusty bed nude. It was okay, the upstairs hot, no fan or air-conditioning to cool the summer heat from him. He had managed to get one of the heavy windows open a few inches, a small breeze moving in to the otherwise stiffling room. Still, it was his room. It still needed cleaning and maybe a light that worked, but it was all his.

“I’ll be right down!” Teddy shouted, wincing from the noise of his voice echoing in the room. Hopefully the elderly woman wouldn’t think he was being rude. As he bent over and scrambled around for his shorts from yesterday, he groaned, gasping while he clutched the bed hard, his dark curls falling into his dazed blue eyes.

Oh, but he ached so much, his narrow hips rocking as he humped the side of the bed and carefully rubbed his dick against the firm surface. He had never felt like this before and he wondered blearily if going to the dentist the day before had done it to him. Maybe cleaning made you very desperate to be cleaned again. Teddy wasn’t sure but all he could think about was getting the big syringe into his tight hole, hoping to ease some of the ache burning within.

More pots and pans crashed from downstairs, Teddy jumping and quickly throwing his shirt on. It did nothing to cover his flushed, hard dick, the boy whimpering as he pulled his too tight shorts up. It wasn’t going down, his dick resolutely pointing straight ahead and oblivious to the fact he had to get to Granny Emma or risk being thrown out on the streets.

Taking tentative steps to the staircase, Teddy consoled himself to the fact that the woman had terrible eyesight. Maybe she wouldn’t notice? But he couldn’t even get the shorts to zip, his length too hard and sticking out of the gap. Oh, he was certainly going to get in trouble.

Cupping his hands over his erection, Teddy edged his way into the kitchen, frowning when he found the mess waiting for him. “Granny, let me do that,” he said quickly, grabbing the pan from her claw like hands as he looked around. Pots and pans were littered everywhere on the floor and counters, the lower cabinets all opened up as if the women had been trying to get a stray animal flushed out of the house.

“Teddy, thank goodness. I’m looking for my cake pan. One of the boys is having his birthday soon and I promised him a cake. He doesn’t have a mother to make one—Teddy.” Peering down her nose through her thick glasses, she gave the boy’s shorts a stern glare. “Teddy, that does not belong out in front of a lady. Not ever.”

Teddy quickly covered his erection, his cheeks flushing red. He had never been so embarrased, the heat of his face like a hot stove beneath his thick dark ringlets. “Sorry, Granny. I… I need some more clothes. I don’t know how to—It’s not usually like this,” he whispered, wishing his dick would go back to its normal size. Instead it gave a stuborn twitch, trying to push against his palm.

Holding her hand up, Granny Emma turned slowly away, hobbling around the pots and pans. “Teddy, I want you to get yourself cleaned up just the way Dr. Wilson showed you. The gardener is coming today and he’s going to need the help of a strong, big boy. Do you think you can do that?”

Teddy nodded quickly, grateful the old woman wasn’t yelling at him or trying to chase him with a big spoon to beat him. “Should I find the cake pan first?” He had already spotted it, the familiar shape already on the floor but undistinguishable to his Granny’s near sighted stare. He carefully fished it out and place it on the table, making sure to cover his front with his other hand the entire time.

“You can clean up the kitchen after Mr. Fowler is done with you, boy. It’s never good to keep a man waiting. Now hurry along.”

Teddy nodded quickly, his blue eyes wide as he took a step towards the hall. “Granny, I don’t mind the clothes you gave me. Just, the shorts won’t fit when I’m, well, like this.”

The old woman gave a shaky nod to her head, standing over a recipe book as she hummed. The kitchen was a mess and Teddy was seriously worried she might fall. He knew she had a bad leg, but he was now wondering if maybe Granny Emma was going to need to be watched, not just helped to make sure she didn’t fall.

“I think I have a solution for that, boy. Let me make a phone call—I won’t have my sweet grandson dressed like a pauper with just one set of clothes. Now hurry, Teddy. Mr. Fowler will be here any moment. Wash up and meet him out back in the yard.”

Jumping at the order in her stern tone, Teddy scrambled back the way he came, running up the stairs while trying to keep from gasping with each step. Clothes. He was actually going to get some clothes. And there was no one there to ruin them or hide them away like at Aunt Jenny’s place.

 

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Teddys Naughty Adventures 1

Teddy’s Naughty Adventures #1

Teddy Goes To The Dentist
Exclusive Library
Teddy, a beautiful, naïve orphan boy finds himself in a series of increasingly confusing encounters with older, professional men. He thought he was moving in with his Granny Emma to help the elderly woman around the house but instead finds she’s more interested in pimping her innocent grandson out to the highest bidder.

Leif, the young blond next store, tries to help Teddy find a way out of the life he’s been caught in. But Lief is even more deeply entrenched, his abusive father selling him to the men of the area.

Even if Teddy did have a place to go, he’s not sure that he wants to leave. With Granny Emma comes a lot of good including new clothes, a room of his own and more than enough food to eat. Lief’s situation is much worse than his, and Teddy would do anything to keep from leaving his first real friend behind.

Disclaimer: All sexually active characters are 18+. Contains explicit m/m sexual content, graphic language, dubcon/noncon between older men and petite, youthful bottoms. Each episode is at least 10,000 words and should be read in order to be fully enjoyed. Not intended for anyone under 18.

10,000+ wrds, Published March 22, 2016.
Heat level: XXX

Way too hot for Amazon!

READ AN EXCERPT FROM CHAPTER ONE

Teddy didn’t blame Aunt Jenny and Uncle Sal for dumping him; they already had three kids and they really didn’t have the money or the space to keep him around. Granny Emma wasn’t rich by any means but she did have a big house. Too big for the woman to take care of on her own now that she had hurt her leg and could use a consistent source of help. Teddy didn’t mind; he was happy to have a place to stay. His parents had died when he was a baby and he had been pushed through his relatives’ houses since then, no one wanting to deal with an extra mouth to feed for too long. No, he really couldn’t blame anyone for not wanting him around.

He was nervous about what sort of person Granny Emma was. Aunt Jenny had said she was nice but Teddy had already been through enough houses to know that nice usually meant he wouldn’t be hit too hard if he got out of line. Standing in front of the large doorway on the quiet street, he held onto the hope that as old as she was, Granny Emma wouldn’t have much of a hitting arm on her.

“Now remember, Teddy, you must help Granny with her walking; she can’t take stairs since her last fall. That means you’re going to have to keep the upstairs in order for her. Now she does have a boy come over to take care of the yard twice a month, and a few of the neighbors are kind enough to check up on her once in a while, but your main duties will be to take care of her. Don’t pester her for candy or things—I don’t want you being disrespectful.” Aunt Jenny gave Teddy a stern look which he responded to by nodding agreeably. If he knew anything, it was how to do as he was told.

“I’m sure you’ll be more trouble than good, but it can’t be helped. No one else has the time to take care of Granny. You’ll have to take care of her cats; I think she has four of them now. And down there…” she pointed down the street to a small rundown house once painted a pleasant yellow that was now faded pale. “Is where you’ll be going to school.”

Blinking, Teddy turned to look all the way down the street. “School?”

“Yes, well, it’s a little homeschool for the neighborhood kids until they’re old enough for college—Don’t be getting lofty ideas of that, though, boy. You haven’t had a day of learning and you’ll be the oldest one there. It’s only a handful of kids and they aren’t strict on papers. Thank goodness because I have no idea what happened to yours and I’m in no hurry to go searching for them. It’s about time you started getting some knowledge in your head. You be respectful there, too, because Granny can’t afford a real school for you and they won’t put up with mischief.”

“Yes, Aunt Jenny,” Teddy said automatically, eyes searching the little yellow house hungrily. A real school… He was going to go to a real school! He’d seen them on television before, big stone buildings filled with happy children learning about history, math, science, and all sorts of useful things, but Teddy never thought he’d ever get to go to one. He was small for his age, short and slender; the other kids wouldn’t know he was older than them. Even if Granny Emma was as bad as cousin Roland and beat him all the time, he’d still be happy as long as he got to go to a real school.

“Don’t dither, boy. Come on,” Aunt Jenny snapped, pushing the front door open and ushering the small boy in. Wide-eyed, Teddy stared in wonder at the inside of the house he would soon be living in.

It wasn’t rich or fancy and certainly not modern by any sense, but Teddy loved it instantly. For one, the house was big. Not too big where you felt like you could get lost, but big enough to run around in and maybe chase a dog if Granny allowed one. The soft green wallpaper was faded, a pretty design of flowers and abstract motifs still glittering on the walls in places where the sun didn’t reach or one of the many colorful paintings covered. The floors were hardwood and scuffed, large carpets spotting the ground with frayed images.

Teddy already knew his favorite rug, for right when stepping in the door a tiger was looking up at him nobly, small patches of where the fabric had pulled from the glue leaving it looking fluffy and worn. The warm golden gaze was welcoming and strong and it gave him a sense of strength.

“She’s likely in the kitchen.” Aunt Jenny stepped in, wiping her flats carelessly on the edge of the rug. Teddy had the impression she hadn’t even seen the picture on it. He followed quietly, looking around the passing rooms. The main staple seemed to be piles; piles of books, piles of newspaper, piles of dirty dishes. His fingers itched just looking at them all. The place was at least three stories tall—he imagined that Granny’s basement and attic were just filled with piles of things that need to be arranged, organized, and found a place for.

He paused at a desk where old photographs rested, some framed, newer Polaroid’s scattered on any free space. Green eyes jumped out at him, hidden behind the messy blond hair of a pouting boy that looked close to his own age. He was slender but taller than Teddy, limbs toned and tanned golden skin revealed beneath shorts and a t-shirt to combat the yearly summer weather common in the South. What made it interesting was the fact that the picture had been taken in the living room he had just passed and somewhat recently because the plants in the background were about the same height. Maybe he’d have a friend here. A very handsome one…

“Teddy!” Aunt Jenny called from down the hall. Jumping, he ran after, stuffing the photo into the back pocket of his jean cutoff shorts.

Aunt Jenny gave him a piercing look when he made it around the corner but didn’t say anything. He imagined she wasn’t in a hurry to blow her chance of dumping him off on someone else for a while. “Say hello to Granny Emma.” She stepped aside so he could see into the kitchen.

Granny Emma was not young at all. Wrinkles lined her face as well as every inch of skin visible beneath her plain, puritan style dress. Stern and thin, she stooped over like a stick had grown in a curve that had no chance of ever straightening out. One of her long spindly legs was wrapped in a cast, the type to support when walking that could be removed during the night to prevent sores. She watched unfocused through thick, oversized glasses, and as Teddy approached he could smell the sweet scent of brandy saturating her.

“Hello, Granny,” Teddy said quietly. He held his hand out to her cautiously, unsure what to make of the woman. He was five feet tall and done growing, yet she managed to be shorter than him. He wasn’t used to an adult he had to look down at.

“Look at those curls! In my day a girl would have sold her right arm for hair like yours,” Granny Emma exclaimed, dismissing Teddy’s hand to wrap frail, dry hands into his dark locks. The smell of age was new to Teddy too, and he scrunched his nose while he stood still to allow the woman to get a good look at him.

“Wasted on him, if you ask me,” Aunt Jenny sniffed, eying Teddy’s hair with resentment as her own mouse brown locks failed to hold a curl no matter how long she ironed it. She hated Teddy’s eyelashes too, so dark and thick, making the boy’s blue eyes shine.

“You’re a waif, though. Can you lift things, boy? I always need a good set of shoulders to get my water in.”

Teddy nodded resolutely. “I can lift ‘em.” He might be small but he was strong in a scrappy way, his slender arms used to manual labor.

Granny Emma gave him a measuring look that momentarily broke through what Teddy was to find was her normal myopic stare. “Alright, then. You seem respectful enough. Certainly hungry enough to get you listening to your elders,” she added with a glance at his long pale arms and matching frame hidden beneath ill-fitting clothes. “You know how to listen to your elders, right, boy? I don’t want to hear about any trouble from you in the neighborhood. You do as your told, and that’s that.”

“Yes, Granny.”

“I’ll have no problem sending you off to another relative, you know. Be respectful and do as you’re told no matter what.”

Teddy nodded his head a couple of times to emphasize that he had gotten the point. He would do as his elders told him. He had no intention of blowing his chance of living in the warm, eccentric house with the schoolhouse just down the street.

 

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